Tuesday, 25 February 2014
Chuck Close
used to paint with a stick
further away form the the image- the image with appear to blend together to create detail painting.
Aubrey Beardsley - vector
from the illustration workshops we have been doing, james introduced us to Aubrey Beardley, a illustrator that works with line vectors.
Friday, 21 February 2014
Wednesday, 19 February 2014
talking heads - ralph stedman
key quotes and point made:
'if its not exciting for me-what the hell is it going to do for someone else'
'shouldn't be like a job, should be a cause, something you have to do'
'be true to yourself, be honest in your work.'
ralph: 'why are we doing this?'
hunter: 'for no good reason ralph'
just do it.
'if its not exciting for me-what the hell is it going to do for someone else'
'shouldn't be like a job, should be a cause, something you have to do'
- you have to make people angry or amuse them etc or its just a drawing filling a space.
- cave painters- first paparazzi
- you need to experience what you are 'doing' become the story.
- how to overcome a 'empty canvas'- make a splat.
do you ever make mistakes?
'no such thing as a mistake- its the start of something else.
- he partly draws and partly collages - fusible collection
do you do preliminary drawings first?
'NO'
'dont rub out - opportunity to do something else, you've started the thought process.
'dedicate your life to making mistakes-good one.'
'mistakes made can be made into backgrounds'
'don't be preachy, be objective, be kind, hope for a better world'
'be true to yourself, be honest in your work.'
ralph: 'why are we doing this?'
hunter: 'for no good reason ralph'
just do it.
- he uses paper he uses for under sheets which get splashes of ink of as collage material for other drawings.
Monday, 10 February 2014
Sunday, 9 February 2014
Thomas Cian
i love the muted subtle tone to these beautiful detailed illustrations. i liked how the illustrator bleeds the illustration over 2 pages in the sketch book.
Monday, 3 February 2014
jo in hyuk
graphic designer, illustrator, costume designer.
similar to the pencil with collage clothes/coloured clothes technique i have started to develop/
i really like the use of watercolour paint to show patterns in the clothing, i think the looseness of the watercolour works well against the grey sketchy lines of the portrait.
though it works well, i am not a huge fan of the drawing technique applied, i think it looks a bit digitalised with the definite lines instead of showing shadow but blending the pencil.
Sunday, 2 February 2014
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